Olafur Eliasson

Olafur Eliasson was born 1967 in Copenhagen, Denmark. In 1995 he established Studio Olafur Eliasson in Berlin. Mr. Eliasson is know as an installation artist, he focus on the space and the illusion of what is in the space. He creates a space where the mind has a hard time believing that the structure is not apart of the surrounding area.

Weather Project Tate Modern, London, 2003.

In 2003 he started a Project titled "The Weather Project" as part of the popular Unilever series. The installation filled the open space of the gallery's Turbine Hall. He Created a fine mist in the air via a mixture of sugar and water.hundreds of lamps which radiated single frequency yellow light. The ceiling of the hall was covered with a huge mirror, in which visitors could see themselves as tiny black shadows against a mass of orange light.

Here is other pieces of art work by Olafur Eliasson.

‘Beauty’ (1993)


Berlin Colour Sphere,
2006, Boros Collection

Serpentine Gallery Pavilion 2007
by Olafur Eliasson and Kjetil Thorsen
24 August – 5 November 2007

Serpentine Gallery Pavilion 2007
by Olafur Eliasson and Kjetil Thorsen
24 August – 5 November 2007

Today Olafur Eliasson has embarked on an international tour to The Museum of Modern Art, and P.S.1. Contemporary Art Center, New York, 2008; The Dallas Museum of Art, Dallas, Texas, 2008-09. It is currently on view at the Museum of Contemporary Art, Chicago, 2009. In 2009-2010 the exhibition will be on view at Museum of Contemporary Art, Sydney.

SUMMER: Days of are Lives pt2

Here is some images I took yesterday

"Driving" 16x24

"Zoom Zoom" 16x24


"Hey" 16x24

SUMMER: Days of are Lives

Here is a new project "Summer: Days of are lives" I am Exploring the time and summer of one subject as he is growing up over the summer of 2010. Starting with a day where he is playing in a small pool for the first time.

"What this" 5x7

"Thinking" 5x7



"Having fun" 5x7


"Chase ME!" 5x7


"What is this" 5x7

Rick Baker

Rick Baker was born in born December 8, 1950, he is known as an American special makeup artist known for his realistic creature effects. With movies like The Exorcist (1973) (special effects assistant), An American Werewolf in London (1981) (special makeup effects), Harry and the Hendersons (1987) (makeup artist, creature designer: Harry), How the Grinch Stole Christmas (2000) (special makeup effects), and with latest The Wolfman (2010) (special makeup effects).

Mr. Baker has won Academy Award for makeup Effects for An American Werewolf in London, 1981 (First year of the award), Harry and the Hendersons, 1988, Ed Wood, 1995, The Nutty Professor, 1997, Men in Black, 1998, How the Grinch Stole Christmas, 2001

Here is a 4 part interview with Mr. Baker I feel is important for the new development in the world of Makeup Effects and the world of Graphic and Digital Arts.










Mr. Baker is a man for many skills, and he will continual to work forward in the world of art

Over the last week I have started to look not at the 3-D street artwork. Images that give the viewer a sense of a three-dimensional world by using different angles and vantage points throw out the image. The artist uses these angles and vantage points to trick the see in seeing a two dimensional image. That is created on a road or a street and turning it into a three-dimensional images.


This image uses the center vantage point to create a sense of depth for the viewer of the this piece. The cliffs seem to move down the and disappear into the the darkness. Along with the angles and the vantage points the artist uses color to give the spectators the feeling of complexity that helps in projecting a three-dimensional idea to the audience. The artist is trying to create a participation for the spectator. Gets them a feeling of standing on the edge of a cliff, or a feeling that they could just fall into the crack in the road.



This image the artist uses the street as apart of the artwork. He leave parts of the road untouched as a part of his conception. This artist is giving the audience a 360 degree view of the artwork. In doing this the artist crated an image were the viewer can intricate with the artwork.



With this image the artist is using two different plains to help create her three-dimensional conception. Using the angles the artist creates three-dimensional plain. Giving the viewer two ways to see the image.