Wednesday, December 7, 2011
Dec 7 1941
Arizona taken at the time of the magazines explode. This caused the forward turrets and conning tower to collapse downward some 25–30 feet (7.6–9.1 m) and the foremast and funnel to collapse forward. The explosion killed 1,177 of the 1,400 crewmen on board at the time, almost half of the lives lost during the attack. This image is one of the most powerful images of the war. It is a point of time where the world stops and reflex on the souls that where lost daring the war.
Friday, December 2, 2011
Pic of the week
This image was created last year using a 4x5 camera. What I love about this image is way the light creates its own texture on the negative. A texture that focuses the eye on the light and the colors in the trees.
Friday, September 16, 2011
Thursday, June 2, 2011
Model Pic
Over the pass two months I have been taken photos of models. I began this project to help my skills as a growing photographer. The skills I have been focusing on light, content, and profession when it comes to the images. Here is some images from one of this shots
Wednesday, April 27, 2011
Miroslaw Rogala
Miroslaw Rogala was born 1954, Known was one of the most important interactive media artists in the world. By trying to challenge man's relationship to nature and to his fellow man.
He does this by creating Large-scale complexes, that creates the idea of placement for the viewer. Where the viewer is pulled toward a center point. Creating a movement around the image but in the end the eye goes returns back the center.
He brings the viewer viewer into his world with interactive media software, digital photography, installations, music and performance works. Creating multitude of impressions and the variety of his visually transmitted world make each encounter a new experience.
His news photography and creative imagery engaging landscape and still life images transformed through the use of combined technology involving a specialized Minds-Eye-View 360 degree perspective software.
His work create a wonder to pieces and new life to how we view an image.
Wednesday, April 20, 2011
A Moment Between Darkness and Light
"A Moment Between Darkness and Light" is my second solo gallery show. This series focuses on the interplay between shadow and light that can be found between the emulsion of the film. The effect that is created in these images are a combination of the vignette from a Holga camera and the coffee developer.
I have always believe that an images are more than 2-dimensional objects. That an image is made up with different textures. Textures that can be found between the emulsion and the layering of the lights and darks. The coffee negatives begin to take on a life of there own
" The Parliament Of Dreams" is an image give the viewer an idea of another world. A place that could be trapped in time or a meet place that is still in use today. What nice about this piece is the vignette around the edges. It creates a blur that enforces a dream like state
Although we have the general concept and impression of what makes an image, photography transforms the 3-dimensional world into a flat 2-dimensional object. It is my opinion that is there is more to this concept of what makes these image.
I have always believe that an images are more than 2-dimensional objects. That an image is made up with different textures. Textures that can be found between the emulsion and the layering of the lights and darks. The coffee negatives begin to take on a life of there own
" The Parliament Of Dreams" is an image give the viewer an idea of another world. A place that could be trapped in time or a meet place that is still in use today. What nice about this piece is the vignette around the edges. It creates a blur that enforces a dream like state
Although we have the general concept and impression of what makes an image, photography transforms the 3-dimensional world into a flat 2-dimensional object. It is my opinion that is there is more to this concept of what makes these image.
"Shadow Dancing" 16x16
"Shadow Dancing" is an image deals the play in light and the way the shadows seem to move across the image. Creating an image seems more alive then 2-dimensional object.
Tuesday, April 19, 2011
Thursday, April 14, 2011
Tuesday, April 12, 2011
Snow, snow, snow
Wednesday, March 2, 2011
The Reconstruction of a Third Dimension
Although we have the general concept and impression of what an image is, photography is a special kind of image that transforms the 3-dimensional world into a flat 2-dimensional object. However, whether an image is flat or not still raises more questions about what a photograph is and in my opinion there is more to this concept of what makes an image. I think that the viewer needs to focus on subject matter, the process of making a photograph, how the image is constructed, and the space around the image. These ideas help to shape this concept and the idea of an image is.
These ideas are the mainstay and focus of my work. In this way it leads that me though a body of work that began with my use of two dimensional photographs to create a three dimensional image. While working with this process and trying to stay within the confines of photographic realism of the artwork. I think that creating the images in this way might lead to and explore new feelings for the viewer resulting in an image that is images that are three dimensional in appearance and both graphic in style, a and constructed reality, and three dimensional in appearance. In a way this creates an image that is more two and half dimensions in nature. Now these images force the viewer to re-evaluate their perception of space. This expands the image from a two dimensional plane into a space around the image, interlocking the space and idea into one concept that, we can classify as an image. With out this I strongly believe that the focus and meaning is lost to the viewer.
We have the general concept and impression of what an image is. Is an image flat or is there more to the idea of what an photograph is? It is my opinion there is more to this concept of what makes an image. I feel that the viewer needs to focus on subject matter, the process of making a photograph, how the image is constructed, and the space around the image. These ideas help to create this concept and
the idea an image is.
These concerns are the mainstay and focus of my work and are what have led me though a body of work that began with my use of two dimensional photographs to create a three dimensional image. While working with this process I have tried to stay within the confines of photographic realism in my artwork. I think that creating the images in this way are leading to explorations of new feelings for the viewer and have resulted in images that are three dimensional in appearance and both graphic in style, and constructed realities that are three dimensional in appearance. In a way this creates an image that is more two and half dimensions in nature and cause the viewer to re-evaluate their perception of space. This expands the image from a two dimensional plane into a space that flows through the image interlocking the space and idea into one concept that we can classify as an image that focuses new kinds of meaning for the viewer.
On Nov 19, 2010 I first showed this body of work at the Trap Gallery in the Kansas City Area. This Body of work focus on Greensburg Ks, a town in south of Kansas that was hit by a F-5 Tornado. 90% of the town was destroyed. I wanted to create a body of work that was about rebuilding the Town. I traveled there for two and half years, documenting the rebuilding process.
These ideas are the mainstay and focus of my work. In this way it leads that me though a body of work that began with my use of two dimensional photographs to create a three dimensional image. While working with this process and trying to stay within the confines of photographic realism of the artwork. I think that creating the images in this way might lead to and explore new feelings for the viewer resulting in an image that is images that are three dimensional in appearance and both graphic in style, a and constructed reality, and three dimensional in appearance. In a way this creates an image that is more two and half dimensions in nature. Now these images force the viewer to re-evaluate their perception of space. This expands the image from a two dimensional plane into a space around the image, interlocking the space and idea into one concept that, we can classify as an image. With out this I strongly believe that the focus and meaning is lost to the viewer.
We have the general concept and impression of what an image is. Is an image flat or is there more to the idea of what an photograph is? It is my opinion there is more to this concept of what makes an image. I feel that the viewer needs to focus on subject matter, the process of making a photograph, how the image is constructed, and the space around the image. These ideas help to create this concept and
the idea an image is.
These concerns are the mainstay and focus of my work and are what have led me though a body of work that began with my use of two dimensional photographs to create a three dimensional image. While working with this process I have tried to stay within the confines of photographic realism in my artwork. I think that creating the images in this way are leading to explorations of new feelings for the viewer and have resulted in images that are three dimensional in appearance and both graphic in style, and constructed realities that are three dimensional in appearance. In a way this creates an image that is more two and half dimensions in nature and cause the viewer to re-evaluate their perception of space. This expands the image from a two dimensional plane into a space that flows through the image interlocking the space and idea into one concept that we can classify as an image that focuses new kinds of meaning for the viewer.
On Nov 19, 2010 I first showed this body of work at the Trap Gallery in the Kansas City Area. This Body of work focus on Greensburg Ks, a town in south of Kansas that was hit by a F-5 Tornado. 90% of the town was destroyed. I wanted to create a body of work that was about rebuilding the Town. I traveled there for two and half years, documenting the rebuilding process.
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