Wednesday, December 22, 2010

Loretta Lux

Loretta Lux was born in 1969 in Dresden, East Germany. Her artwork is better known for her portraits of young children. As you begin to share at these surreal portraits you begin to get a feeling that the kids are keeping some thing from viewer. Their blank stare seems cut though audience. Creating a mystery and a feeling a unrest but a feeling a wonder about the images.

She begin was a painter and she on form, shape and color in her images. She began to develop a signature style--the brushstrokes of her new medium or a feeling of a realistic painting with in the development of her images.


Lux started taking children's portraits about eight years ago, when she shot a couple of frames of her nephew. She feel in love and realize what comes across so vividly in her work. When it comes to her artwork Lux feels that children are the most honest models. That they create a mystery that comes through the image.

She wants people to decide what to see and never forget what they see.
http://www.lorettalux.de/

Friday, November 19, 2010

Ross Sawyers

Focusing on the idea of space Ross Sawyers explores hypothesis of human encroach upon their neighbors. He is influenced on increasing density of new housing developments. With the combination of smaller spaces and the encroachment of others create a tension within the environment. Theses environments are closer to the actual but are not completely copies of realities. The realities differ between the shift of architecture and voids at that serves no apparent function.
These structures reflect apartments and houses that we all have experienced in various and intimate ways. For Ross this level of familiarity is crucial, creating environments that resonate with the viewer. Allowing them see a parallel between the visual interpretation.

Wednesday, November 17, 2010

pic of the week

This image was taken in the crossroads area in KC. Its a piece that was taken at night and i started to move the camera around will I had the shatter open. It is about the movement and the ways the light create life in the image. The light became a gestural paint brush creating the lines and light.

Wednesday, November 10, 2010

Karen Glaser

Karen Glaser body of work takes us on a journey into a world that we never see. She began photographing manatees and then the underwater habitats of the parts of Florida. Glaser wants to bring her audience to unique views of rare landscapes. She begins to bring the idea of endangered resource in the area that she photographs.


It is vital for Glaser to photograph more in order to represent the true enormity and subtly of my subject. Through her acute attention to how the elements behave in the wet and dry season and how they intersect, She was able to record fleeting moments within these complex ecosystems resulting in elaborately layered photographs.


She loves the idea that the glass of water that we drink on daily bases, is the same water that only 45 minutes this water is from the wild. That you are drinking water that originated in the swamp or river that she has slogged through to make the picture you just view


It is all about the idea of viewing images in a new way, and opening your mind to nature.

Friday, November 5, 2010

pic of the week

Here is the pic of the week this image is a coffee negative that has been printed with a digital printer

"sun blast" 9x9

Thursday, November 4, 2010

Image!?

We have the general concept and impression of what an image is. Is an image flat or is there more to the idea of what an photograph is? It is my opinion their is more to this concept of what makes an image. I feel that the viewer needs to focus on subject matter, the process of making a photograph, how the image is constructed, and the space around the image. These ideas help to create this concept and the idea an image is.

These ideas are the main stay and focus to my work. In this way it leads me though a body of work that began with my use of two dimensional photographs to create a three dimensional image. While working with this process and trying to stay within the confines of photographic realism of the artwork. In a way this creates an image that is more two and half dimensions in nature. Now these images force the viewer to re-evaluate their perception of space. This expands the image from a two dimensional plain to a space around the image. Interlocking the space and idea into one concept, in which we can classify as an image. With out this I strongly believe that the focus and meaning is lost to the viewer.

Sunday, October 17, 2010

I been working hard with the coffee developer, and coming off Med Terms. On Fri I went down to Shawnee Mission Park here in Kansas City. I developed the 120 mm film in coffee for 25 min.


"Clear Creek" 4x4

I found this creek will Traveling down a bike path in the park. Now I have lived in Kansas all my life, and I never seen a creek that is so clear that it looks like it is in the mountains of Colorado.


"Homestead" 4x4

Down the path I walked by this old homestead that was 3 ft from the path. The trees have reclaim the very thinking but the stone walls.



"Stone wall" 4x4


Here is another part of the wall.


"path"4x4

This image make me feels like a path, but this path is a small creek. I know this park was big but after walking the path. The path began to became more then a path. Every sight and sound became more. Opening the vast area outside Kansas City

Tuesday, October 5, 2010

Pic of the day

This image is from Westport, I just love the way the bees look in this image. I fill that they are playful and tongue-in-cheek.

Westport

Today I took a walk in the Westport to gather textures for my three-dimensional images for Zbrush. When I found this these images, there some thing about this images that make them fun to look at.



Sunday, October 3, 2010

Pic of the day

Sorry guys I been very busy the last few days but here is the pic of the day. This image is a coffee negative that I have scanned in. it was taken with a holga camera.

Thursday, September 23, 2010

Holga Coffee Prints

Today I developed two rolls of 120 mm file. When I developed the two rolls I ending up using the coffee developer.

The coffee acts like a dye and that is where the brown color comes from. but not all of the color comes out brown there is also a dark black that can be pulled out .

these next two images are double exposures. The one on the top was exposed twice and the one on the bottom was exposed three times.

Tuesday, September 21, 2010

Shots with a Holga.

I got back into shooting film but I just can't see myself shooting 35mm anymore. So years ago I bought a Holga and now I am taking it out for the coffee shot that I am going to work on. These shot below is not apart the coffee shots. but there where taken with the Holga.

Kanza Prairie pt 1

Kanza Prairie pt 2

Pic of the day

Here is an image that I took using a 120 file and a Holga camera. This image was the last shot I took. There is something about a Holga and way you can get an old feel to the shot.

Friday, September 17, 2010

Pic of the day

This image was taken in a forgotten area in Manhattan Ks, this park bench was build in the 1930's as one of the many work Public Work of Art Project take took place in the 1930-1939

"park bunch"

Coffee Developer?!

A couple of days ago I found out that you can use coffee as a developer. So I been thinking about trying this coffee developer. I going to be using Ilford Delta 120 Black n' White film. I have looked at many websites on the developing film with coffee and they all mostly agree that the recipe below is the most successful.
First get a jar of instant coffee crystals at your local supermarket. Next head to the laundry detergent aisle and pick up a box of washing soda. That’s the stuff that will activate the developing agent, the caffeine in the instant coffee. With the wide variety of laundry materials available today, washing soda isn’t the big seller that it once was, but the larger chains will carry it. (Baking soda just won’t do.) That’s all you need. And here’s a recipe for making a half pint of developer, enough to process a roll of 35mm film in a typical developing tank.

Stir the ingredients until uniform, then develop film for 25 minutes, agitating every 30 seconds.

Once I develop the film use normal fixing process but they say you can use saltwater as a replacement to the fixer. But using saltwater takes more time then normal and it the time my be different with brands of film. so until then use the normal fixer. then I am going to scan the images in the computer and then print.


By Kasper Hettinga


by Megan

This formula will develop any silver-halide emulsion, but for best results you’ll need to experiment. This is so you can determine the optimum composition.

When I get the images I going to post the images on the blog.


Thursday, September 16, 2010

Pic of the day

Here is the pic of the day for Sep. 16 2010.

Tuesday, September 14, 2010

Zbrush Flashlight

Over the last two weeks I been working on trying to recreating a flashlight by using Zbrush. Most of the shape was made out of a cylinder that I just extracted. My goal for this little project was to recreate a real life object and make it as realistic was passable.

I am hope if I master this skill then I can place these object into photo were it is hard to figure out what is real and what is fake.

I think this flashlight need a little more work but it is very close to the original flashlight. To me it seems a little to shiny, and the paint job needs to be more dull in color or a little less reflective.

Please leave comments on what you think.

Monday, September 13, 2010

Pic of the day

I thought I would do something a little different tonight. I was a little bored today with I was playing a character alt in the World of Warcraft. so I my alt and placed him on catapult, creating a Bearapult. Hope you enjoy this image.


Bearapult





Sunday, September 12, 2010

Pic of the day

I found this old truck near a train bridge outside Manhattan Ks. Looking at this truck I could almost imagine the passage of time and the erosion of the passed. It was also like this truck was a silent sentential looking over the Big Blue River. Standing guard waiting for the pass word to pass


Brad Kachel


Brad Kachel is a Character Designer and Video Designer. He also did background and props for "Destroy all Humans II" He has become one of the many new artist who is using Zbrush to create his master piece for his characters


Draenei from "War of Warcraft"


"Octopus girl"



" Joker "

Death Knight from "War of Warcraft"

Saturday, September 11, 2010

Pic of the day

This image was taken a friends wedding that I ended up shooting for her wedding. This pic so far is one of my favorite.

Friday, September 10, 2010

Pic of the day

I sorry that I have not blog in a about month, but I been busy with the start of school. I been thinking about posting one new photo per day. This will go on for the rest of the year

This pic was a photo that I took long time ago, but I never printed until yesterday. This image is a night photograph take taken in a small town in Kansas.


Wednesday, August 4, 2010

SUMMER: Days of are Lives pt5

Here is some new images that I been working on. This day he was playing in a playground in the KC area equipment. He was leading me around the equipment like we where playing follow the leader.



"Cat walk" 16x24


"Hey you coming" 16x24


"Follow Me" 16x24


"Hey" 16x24

"What that" 16x24


Tuesday, July 27, 2010

Ben Laposky


Ben Laposky was born September 30, 1914 on a farm south of Cherokee Iowa. At age 4 his family relocated to Colorado Springs. In 1942 Laposky join the US army as a technical sergeant, he was wounded in the right foot during a Japanese bombing raid at Rendona Island, Solomon Islands, in July 1943. Were he received the Purple Heart for his wounds. After spending 10 months in army hospitals. He was discharged in May 1944 and returning to his home town in Cherokee, Iowa. He became known as a mathematically and artist.

In 1950 Laposky began to experiment with cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art. He became known as the first person to use an analogue computer to help to create his graphic images. He called these images Oscillation.

In 1980 Laposky gave an interview with Arts Magazine that describes how he created his work. Here is a part of that interview that with Art Magazine


" The color photos of the Oscillons were mostly made originally on Aero Ektachrome film, both 35mm and 4x5. This was used because it had good color density and contrast - also because it was less costly as surplus for some years. Exposures vary from 1/20 at f1.2 to f2, closeup at about 15 inches from scope screen. Cameras used were a Praktica and a Nikon. For the 4x5 work I used a B&J press with a German war surplus aerial lens, an f2 tessar if 120mmf.1. Most of the 35mm images were in motion in some or all of the traces (besides the electron beam motion itself). The 4x5 traces were taken at about 1/2 second, also at f2, and usually were static, the trace motion stopped by sync circuits in the oscilloscope. The black and white photos were made mostly on Linagraph film, a special high contrast film by Kodak for oscillograph photography. Some 4x5 work was done on Royal Pan and other fast films."

Arts Magazine, "Ben F. Laposky: A Midwestern Pioneer of Absolute Light Form" June 1980




Laposky's art was published more than 160 times and displayed at more than 200 exhibitions before the emergence of computer graphics upstaged him in the mid 1960s.

Loposky died in 2000, after his death none of the 10,000 negatives he claimed to have taken have ever been found, and out of his original set of 102 mounted image only 101 remain.